Literary Studies <AUTHOR> Simon Hughes <COPYRIGHT> 2007 <SIZE> 35x35 <GRID> .........................F......... ..........F..............O...D..P.. .P.M.....NARRATIVE.O..COLLOQUIALISM .A.E..A...B........M.....K...A..C.. .R.L..U...L........N.B.P.T..CLIMAX. .ONOMATOPOEIA...D..I.U.A.A...O..R.. .D.D..O.........Y..S.R.R.L...G..E.. .Y.R..B.JOURNALISM.C.L.A.E...U..S.B ...A..I.........T..I.E.D.....E..Q.E ...M..O..C.....CONFESSIONAL.....U.A ...A..G.FOOT....P..N.Q.X....CONCEIT ......R..N...N..I..T.U....P.H.....N ....M.ARISTOTELIAN...E..DRAMA.....I ....U.P..O...O......H.....S.R.....K ....S.H..N...C.M....A.....T.A.....S .COMEDY..A..BLOOMSBURY..D.O.C...... ....S....N...A.N....L...E.R.T.C.... ..T..H...C...S.O.E..E.PENTAMETRE... .GROTESQUE.P.S.L.N..Q...O.L.R.I.... ..A..R.....L.I.O.J..U...U.....T.... ..N..O.....A.C.G.AUDIENCE.....IRONY ..SIMILE...G.I.U.M..N...M.....C.... ..C..C...A.I.S.E.B......E.R.B.I.... ..E......B.A.M...MASQUE.N.O.I.S.... ..N.CHORUS.R..H..E......T.M.L.M.N.. ..D......U.I..A..N..D.....A.D...A.. ..E....VERISIMILITUDE.....N.U...T.. SONNET...D.M..K.....COUPLET.N...U.. ..T...........U.....A.....I.G...R.. .CATHARSIS..........D...OCCASIONAL. ..L..............CADENCE..I.R...L.. ZEITGEIST...........N.....S.O.FOIL. ..S..............FICTION..M.M...S.. ..METAPHYSICAL..............A...M.. ............................N...... <ACROSS> An account of an event or sequence of events. An oral turn of phrase. The turning point in a literary work. Words that sound like the sound they signify. Writing intended for publication in newspapers or magazines. A deeply personal poem. The smallest measure of metrical poetry. An extended, elaborate metaphor. That which is consistent with Aristotle's thought. Tragedy, comedy, and eventually tragi-comedy. Not tragedy. The area in London where Virginia Woolf held court. Five feet per line. Literary expression characterized by exaggeration, deformity, freakishness, and disorder. The seated public at a stage performance. The significance may be diametrically opposed to what is stated. A figurative turn of phrase that contains the word "like", or "as". A form of entertainment that emphasizes song, dance, and costumery, and which was often performed in royal courts in the early modern period. A performing group in Greek theatre. The appearance of truth. 14-line poems innovated by Petrach and Shakespeare. Two consecutive lines that exhibit the same metre and rhyme. The cleansing traditionally considered the effect of tragedy. The kind of poetry written to commemorate a significant event. The natural rhythm of language, used advantageously by poets. The spirit of the time. A character who contrasts with, and thus highlights the qualities of another. Something made up. Poetry produced by a number of English seventeenth-century poets. <DOWN> A story originating in oral tradition. A moral tale peopled by animals. Conversation. Episodic literature with a roguish protagonist. Writing in the style of someone else, for humorous effect. Sensational battles between flat depictions of good and evil. The all-knowing narrator. One's own life story. The deadpan treatment of trivial matters or the banal treatment of weighty matters. A statement that logically can neither be true nor false. Paradise lost. Jazz-influenced American poets from the 1950s. Halfrhyme. A person in a work of literature. The Age of Reason. Poetry with rural themes. The nine divine sources of inspiration. A stock character of commedia dell' arte. One person talking. Unknotting the plot. Metatexts produced by academics from Plato to Derrida. An American philosophical and religious movement in the latter half of the nineteenth century. The epic metre. Run-on lines. Literary stealing. Theatre of the _______. Literary period between the Augustan period and realism. Another term for an apprenticeship novel. A Japanese poem of seventeen syllables. Literary movement influenced by scientific determinism. Literature of decay.